cinderella 1997 box office

[16] The singer eventually aged to the point at which she no longer felt suitable for the role of Cinderella. Rodgers & Hammerstein's Cinderella was nominated for several industry awards, including seven Primetime Emmy Awards, winning one for Outstanding Art Direction for a Variety or Music Program. [43] In 2017, Shondaland.com crowned the film "one of the most inclusive, expensive and ultimately beloved TV movies of all time. [17] The musicians were not interested in completely modernizing the material in the vein of the musical The Wiz (1974), opting to simply "freshen" its orchestration by incorporating contemporary rhythms, keyboards and instruments, similar to the way in which the studio approaches animated musicals. [20] Describing the project as both a major opportunity and responsibility, Alexander acknowledged that Cinderella's failure to succeed could potentially jeopardize the future of musical films altogether. They save the original sound while updating it. [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. [74] The same newspaper reported that Cinderella was one of 16 upcoming television films commissioned for the series. [133] CinemaBlend ranked the film the fourth most charming film adaptation. [44] Attributing most of the "magic" to Alexander, Peters and Goldberg, Rosenberg was unimpressed with Montalban and Houston, who he described as "pastel as a prince can get (although it's not his fault the character is written as a doofus)" and "not much of a fairy godmother", respectively. Con Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. "[25] Ashley Rey, a writer for Bustle, opined that the film "helped show the world that black and brown faces should have just as much of a presence in fairytale land as white faces do. "I auditioned some 7,000 times for Cinderella ," James jokingly recalled to The Hindu in 2020. [46][47], Jason Alexander was cast as the prince's valet Lionel, an entirely new character created for comic relief. [65] By February 1999, the video had sold more than two million copies. Several well-known actors auditioned for the role, including Wayne Brady, Antonio Sabato, Jr., Marc Anthony and Taye Diggs, the latter of whom was highly anticipated due to his starring role in the musical Rent at the time. [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. You might also like See More Riding High. [40] Despite being more similar to the original musical than the 1965 remake in style and structure, the script's "values and tone" have been updated. [95] On February 4, 2021, Brandy announced on The View that the film would be released on Disney+ on February 12, 2021. [29] The remake reflected a changing society,[27] containing themes discussing self-reliance and love. Last edited on 28 February 2023, at 17:27, Outstanding Art Direction for a Variety or Music Program, Sweeney Todd: The Demon Barber of Fleet Street, 1950 animated adaptation of the fairy tale, Outstanding Variety, Music or Comedy Special, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, Excellence in Production Design Awards Show, Variety, Music, or Non-Fiction Program, Outstanding Television Movie, Mini-Series or Dramatic Special, NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series, "Rodgers and Hammerstein's Cinderella (1997)", "Rodgers & Hammerstein's Cinderella (1997)", "Whitney Houston And Brandy Star In TV Movie 'Cinderella', "Brandy Norwood, Bernadette Peters & More Look Back on Twenty Years Since Cinderella", "Playbill Critics Circle: Review TV Cinderella", "Finally, Cinderella is going to the ball", "TV's Cinderella Turns In Royal Ratings Performance", "Curtain Call: Ted Chapin Makes Sure Cinderella Has a Ball", "Playbill on Opening Night: Cinderella; The Very Best Foot Forward", "Ring Out The Bells, Sing Out The News: Rodgers & Hammerstein's Cinderella Returns To Television", "It's Possible: 60 Million Viewers Go To The Ball With Cinterella", "It's Possible: An Oral History of 1997's "Cinderella", "Remembering Whitney Houston and the 1997 remake of Rodgers and Hammerstein's Cinderella", "Television; The Slipper Still Fits, Though the Style Is New", "Impossible? [16] The day after Gypsy's original broadcast, Whitney Houston's agent Nicole David asked the producers if they were interested in developing a similar project starring her client,[17][18][19] to whom they suggested Cinderella with Houston playing the titular role. ''[20] James also believes Hammerstein would have approved of the color-blind casting, claiming he would have asked why the process took as long as it did. [90] The network also aired "Cinderella"-themed episodes of Brandy's sitcom Moesha and the sitcom Sister, Sister in commemoration. [17] Houston was retained as an executive producer, alongside Chase. [37] Mary described the completed song as "Whitney-fied". [16] Despite quickly earning approval from the Rodgers & Hammerstein Organization,[12] Houston typically took longer to make decisions, and although the producers sent and continuously reminded her about the script, it remained unread for several months. After revisiting the 1997 Cinderella on Disney+, . Running Time 1 hr 45 min. [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. (Rating bulletin 2680 (cert #52631), 5/12/2021) Running Time: 113 minutes. [88] According to Ashley Lee of the Los Angeles Times, Cinderella was the most profitable television film of its time. See full company information. "[36] Due to the well-known cast, tabloid newspapers often fabricated stories of the cast engaging in physical altercations, particularly among Brandy, Houston and Goldberg, all of which were proven false. [12] During a scheduled visit in July, approximately midway through the filming process, Mary and James previewed early footage of the film and met the cast. 'Cinderella' Producers Hope Valentine's Day Rebroadcast Hits Big", "Flashback: With Whitney Houston on the 1997 Set of 'Cinderella', "The Cast Of 'Rodgers & Hammerstein's Cinderella' Movie: Where Are They Now", "On the Tube Rodgers and Hammerstein's "Cinderella", "That 1997 'Cinderella' with Whitney Houston and Brandy is the best live-action princess remake", "Cinderella (1997) - Cinderella: the best film versions", "Cinderella's a Sistah Whitney Houston & Brandy Work Multi-culti Magic on TV", "Brandy Tells All: The Stories Behind Her Classic Records", "Brandy gets back in game after sad loss", "10 Things You Didn't Know About Disney's Cinderella", "How Modern Cinderella Adaptations Have Given The Tale's Outdated Feminism A Makeover", "Happy Anniversary, Cinderella.. Times Two! When Christopher recognizes Cinderella from the marketplace, he tries the slipper on her foot, and it fits perfectly. [5] Auditions were held in both Los Angeles and New York. [24] Fitzpatrick went on to write that the supporting cast lacks "a weak link" entirely, finding it obvious that Houston enjoyed her material and commending the contributions of Peters, Alexander, Goldberg, Garber, Cox and Deselle. [9] Hirschhorn interpreted the film's success as an indication that "there is a huge family audience out there for quality programming," expressing interest in eventually "fill[ing] in the ground between feature animated musicals and Broadway". [30][31], Brandy likened being hand-selected for Cinderella by a performer she idolizes to a real-life fairy tale,[32] accepting the role because she already had successful singing and acting careers, in addition to relating to the main character in several ways. Theater box office or somewhere else "[2] While praising Brandy's subtlety, Richmond found Houston's interpretation of the Fairy Godmother to be an overzealous, "frightening caricature, one certain to send the kids scurrying into Mom's lap for reassurance that the good woman will soon go away. + $7.00 Shipping. [41] Matthew Gilbert of The Boston Globe complained that despite its "visual charm" and strong performances, the film lacks "romance, warmth, and a bit of snap in the dance department", failing to become "anything more than a slight TV outing that feels more Nickelodeon than Broadway. [22] Mary and James often visited,[35] as well as Chapin. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. [16] Houston believed strongly in the story's positive moral "that nothing is impossible and dreams do come true," encouraging the filmmakers to imbue their version of Cinderella "with a 90s sensibility but to remain faithful to the spirit of the original. [42][46] The filmmakers agreed that Alexander deserved his own musical number due to his experience as a musical theatre performer, and decided to combine the Steward's "Your Majesties" with the Town Crier's "The Prince is Giving a Ball" from the original musical into an elaborate song-and-dance sequence. The film made $542 million worldwide, Branagh's biggest box office haul to date as a director. With its enchanting story, iconic animation, unforgettable characters and plenty of Bibbidi-Bobbidi-Boo. [110] While praising the performances of Houston, Peters and Montalban, Ellin joked that "Cinderella's glass slippers are far too big for Brandy", criticizing her acting while saying that the singer "delivers her lines so timidly and flatly that it's hard to stay focused on the story when Brandy is on the screen", concluding that her co-stars "only makes her weak acting all the more glaring", and causing her to wonder how the film would have turned out had Houston been cast as the lead instead. [12] Three songs not featured in previous versions of the musical were added to augment the film's score,[48] each of which was borrowed from a different Rodgers and Hammerstein source;[9][13][35][53] these additions are considered to be the most dramatic of the changes made to the musical. [38], Freedman continuously re-wrote the script between 1993 and 1997, particularly concerned about whether or not Houston would like his teleplay. [42] Describing herself as familiar with the "flavor" of Rodgers and Hammerstein's material, Houston opted to perform their songs simply as opposed to her signature pop, R&B or gospel approach. Describing it as "effortlessly, even unintentionally, progressive", Thomas wrote that the film "forecast a world with far more possibility; it's a film made for the future. Video Release: September 3rd, 2021 by Amazon Studios. [105] In a mixed review, The New York Times journalist Caryn James found the film's multi-racial cast and incorporation of stronger Rodgers and Hammerstein material improve Cinderella overall, but admitted the production fails to "take that final leap into pure magic", dismissing it as "a cobbled-together 'Cinderella' for the moment, not the ages. [5][6] Songwriters Richard Rodgers and Oscar Hammerstein II originally wrote Cinderella as a musical exclusively for television starring Julie Andrews,[7] which aired in 1957 to 107 million viewers. "[29] Chase hoped that the film mirroring an evolving society "will touch every child and the child in every adult",[19] encouraging "children of all colors [to] dream. [16] Houston remained silent for most of the reading, barely engaging with the participants until the end of the table read when she finally declared her approval of the script and eventually sent the actors flowers to apologize for her tardiness. [5] The final actor to audition for the film,[36] Paolo Montalban was ultimately cast as Prince Christopher in his film debut;[23] Montalban had been an understudy in Rodgers and Hammerstein's musical The King and I at the time. Check out our "cinderella 1997" selection for the very best in unique or custom, handmade pieces from our shops. future bride. Disney's 1997 adaptation of Rodgers and Hammerstein's Cinderella was a dream come true for executive producer Whitney Houston (originally tapped to play Cindy herself) and for Black girls . [11][52] Despite being covered by singer Bing Crosby, "There's Music in You" remained obscure for 40 years until its re-discovery. [12] Further development was inspired by the success of CBS' adaptation of the stage musical Gypsy (1993) starring Bette Midler which,[13][14] in addition to being credited with reviving interest in the genre,[14] Zadan and Meron had also produced;[15] CBS executive Jeff Sagansky asked Zadan and Meron to start brainstorming ideas for a follow-up shortly after Gypsy premiered. [16][36] They hosted the table-read at the Rihga Royal Hotel in New York City, one of Houston's favorite locations at the time. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. (Disney+) Just before "Cinderella" premiered in 1997, major outlets published their critics' disenchanted reviews. Using all the gifts I've been given as an advocate, philanthropist, photographer, and author, I bring more than twenty years of leadership, fiscal accountability, stewardship, communication, and . She isn't a filmmaker, particularly not in the same category and Martin McDonagh. Cinderella currently has a score of 97% on Rotten Tomatoes. [17] The casting directors recruited performers from various entertainment facets, spanning the Broadway, television, film and music industries. [16] Although they were originally concerned that the organization would dismiss the idea of a multi-cultural cast, they were surprised when the company did not protest whatsoever. New condition. Now, the 1997 live action remake of Cinderella, starring Brandy and Whitney Houston, is finally available for streaming, thanks to Disney+. "[26] Company alumna Veanne Cox and television actress Natalie Desselle, respectively, were cast as Cinderella's stepsisters. [37], Brandy found the recording process "challenging" because the film's songs were different than any material she had recorded before, explaining that she was nervous since her "voice wasn't fully developed", especially in comparison to her idol Houston and at times struggling to project. However, she called Montalban "perfectly charming" and "The real fairy tale". [21] According to Zadan, musical films struggled to sell well on home video until Cinderella was released. [37] Meanwhile, the villagers' costumes range in style from "nineteenth-century peasant chic to '40s-esque brocade gowns with exploding collars, bustles, and ruffles. [29] Writing for Nylon, Taylor Bryant called the film both "An Underrated Classic" and "One of the most important moments in [film] history". [115] Rodgers & Hammerstein's Cinderella was the 13th most nominated program at that year's ceremony. [74] One of ABC's promotional advertisements for Rodgers & Hammerstein's Cinderella featured a black-and-white scene from the original 1957 broadcast in which Andrews sings "In My Own Little Corner", which transitions into Brandy singing her more contemporary rendition of the same song, its "funkier orchestration" sounding particularly noticeable opposite Andrews' original. [12] The New York Daily News journalist Denene Millner observed that although the remake is "not all that different from the original", its version of Cinderella is more outspoken, the prince is more interested in finding someone he can talk to as opposed to simply "another pretty face", as well as "a hip fairy godmother who preaches self-empowerment" as a result of its "'90s flair". [20] The producers hoped that the cast's diversity would enhance the film's "universal appeal" and interest children of all ethnicities. Release Date Title Production Budget Opening Weekend Domestic Box Office Worldwide Box Office; Jun 25, 2019: Cinderella II: Dreams Come Feb 6, 2007 [14] The network grew disinterested in favor of other titles by 1996,[18] while Houston herself was already committed to several other projects. [11][128] Additionally, Montalban has reprised his role as the prince in both regional and touring productions of Cinderella, some of which have been directly based on or inspired by the 1997 film. [71], The film's sets were designed by Randy Ser,[12] while art direction was headed by Ed Rubin, who opted to combine a "bright and bold" color palette with "a great deal of subtlety". Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. "[4] Houston found the most impressive part of the remake to be "the lessons youngsters can learn about dreams and self-image".



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